![]() ![]() Time and space are anonymous, and are, in fast, internalized the real time and space of the novel exist within the characters, within their dreams, within the confined world created by Michel and Lia in their chambres de bois. Anne Hébert's language is sparse and precise, dépouillé. Here she meets the earthy Bruno and becomes attuned, once again, to the natural, real world. In one last desperate gesture of defiance, Catherine leaves Michel and Lia and goes to recuperate in the sunny Mediterranean. Michel's sister, Lia, arrives and the two siblings, caught in a strange and destructive relationship, exclude Catherine who finally falls deathly ill. But, Michel, an artiste manqué, imprisons her in les chambres de bois, a stifling world of dreams. He carries her off to Paris where they both hope to escape the prison of their unhappy, loveless pasts. She encounters, in a Gothic atmosphere of misty forests and a forbidding ancestral mansion, the young and sensitive seigneur, Michel. Amid the bleakness of a mining town, Catherine, the heroine, brings up her sisters under the shadow of her brooding, silent father. ANNE HEBERT A Pattern Repeated Kaihy Mezei IΝ LES CHAMBRES DE BOIS, 1 Anne Hébert tells a simple story with few characters, little action, an uncomplicated plot.
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